FOUNTAINS, FLOWERS AND A WAVE
2006
Silicon carbide, paint, Artex, polystyrene, can, cigarette butts
222 x 165 x 200 cm
2007
Resin, bag, foam, sand, hydroponic light
80 x 115 x 115 cm
2006
Resin, clay, steel, mirror
170 x 242 x 215 cm
2006
Hydroponic tank, water pump, tubes, cables, de-ionised water, plastic fasteners, wax, aluminium, steel
43 x 139 x 65 cm
2006
Hydroponic tank, water pump, tubes, cables, de-ionised water, plastic fasteners, wax, aluminium, steel
96 x 119 x 68 cm
2006
Hydroponic tank, water pump, tubes, cables, de-ionised water, plastic fasteners, wax, aluminium, steel
205 x 154 x 51 cm
2004
Hydroponic tank, water pump, tubes, cables, de-ionised water, various fasteners, wax, aluminium, steel
260 x 156 x 60 cm
2003
Hydroponic tank, water pump, tubes, de-ionised water, plastic fittings, cables, wax, aluminium, steel
310 x 160 x 60 cm
2006
Paint, resin, clay, steel, perspex, lacquer, wax
126 x 92 x 92 cm
2006
Butterfly, paint, resin, varnish, clay, steel
18 x 73 x 18 cm
2005
Resin, clay, steel, wire, perspex
125 x 70 x 105 cm
These works from 2003 to 2010 were made while showing with Maureen Paley gallery in London. They all share an alchemic interest in nature either as an apocalyptic force such as the wave in Black Grape or Broken Mirror, as a means of distributing (or discussing the urban growth of) hallucinogenic drugs such as in the fountains use of hydroponic equipment and as a means of spiritual transcendence which was considered while making Versus which is a sculpture of a rose based on the form of a spaceship.
